Sea Of Sorrow
I’m sick and tired
I’m tired of the same old faces
I’m gonna pack my things and go
This same old town
Loneliness is what I know
Madness drives my soul
Tears, you know they won’t fill my eyes no more
The drown in the sea of sorrow
And I’ve been finding myself in too many places,
where is my soul?
And I’ve been broken myself into many pieces,
I find it hard
To pick myself up, to pick myself up
in this sea of sorrow where you drown me down
To pick myself up to pick myself up
in this sea of sorrow.
And I’ve been finding myself in too many places,
where is my soul?
And I’ve been broken myself into many pieces,
I find it hard
To pick myself up, to pick myself
In this sea of sorrow where you drown me down
To pick myself up to pick myself
In this sea of sorrow, where you drown
To pick my self up, to pick myself
in this sea of sorrow


About the song
As track number 5, Sea of Sorrow traces back to Maria’s time at university, where the song first took shape during a songwriting ensemble. Built around an F# minor chord with a distinctive hammer-on pattern, its initial spark carried a subtle western feel that would go on to define its character.
When Maria later shared the track with Dragos, he was drawn to its blend of western and grungy textures. As the song evolved, he refined elements of the main riff—reworking it in fourths to add weight—and adjusted the chorus harmonies to better support the vocal melody.
Lyrically, the song explores the feeling of being stuck in the wrong place while searching for direction and identity. Though the choruses carry a sense of uplift, they reflect the tension of trying to find where you belong without losing yourself in the process. The imagery was inspired by a solitary figure—an old man on a desert porch—looking back on his life, adding a reflective, almost cinematic quality to the narrative.
During lockdown, the track became one of the first songs developed by the full band. Sean and David introduced the now-defining bass and drum intro, establishing the song’s atmosphere and highlighting the strength of the rhythm section. Additional textures, including artificial guitar harmonics, further expanded its sonic palette.
In production, Sea of Sorrow fully embraces the band’s “wall of sound” approach, with layered guitars, rich vocal stacks, and interwoven counter-melodies. A standout moment comes in the form of a chant—created by layering the band’s voices to mirror the guitar solo—adding a sense of scale and energy that hints at the song’s live potential.
